Authorship

Posted in Bibliographies

Barthes, Roland. “The Death of the Author.” In Image/Music/Text, trans. by Stephen Heath, London: Collins, 1977 (1968), 142-148.

Braddock, Jeremy and Stephen Hock eds. Directed by Allen Smithee. Minneapolis: University of Minnesota Press, 2001.

Burke, Seán. The Death and Return of the Author: Criticism and Subjectivity in Barthes, Foucault and Derrida. Edinburgh: Edinburgh University Press, 1998.

Caughie, John, comp. Theories of Authorship: A Reader. London, New York: Routledge, 1999 (1981).

Corrigan, Timothy. “The Comerce of Auteurism: Coppola, Kluge, Ruiz.” In A Cinema Without Walls: Movies and Culture After Vietnam, New Brunswick: Rutgers University Press, 1991, 101-136.

Crofts, Stephen. “Authorship and Hollywood.” In Hill and Church Gibson, eds., 1998, 310-324.

Doty, Alexander. “Whose Text Is it Anyway?: Queer Cultures, Queer Auteurs, and Queer Authorship.” Quarterly Review of Film & Video. 15.1, 1993, 41-54.

Foucault, Michel. “Qu’est-ce qu’un auteur?” In Bulletin de la Sociéte Française de Philosophie. 63.3, 1969. Reproduced as “What is an Author” in Language, Counter-Meaning, Practice, Oxford: Blackwell, 1977, 121-138.

Gerstner, David A. and Janet Staiger, eds. Authorship and Film. New York and London: Routledge, 2003.

Grant, Catherine. “www.auteur.com”, Screen. 41.1, 2000, 101-108.

Grant, Catherine. “Secret Agents: Feminist Theories of Women’s Film Authorship.” Feminist Theory. 2. 1, 2001, 113-130.

Lapsley, Robert and Michael Westlake. “Authorship.” In Film Theory: An Introduction, Manchester: Manchester University Press, 1988, 105-128.

Maule, Rosanna. “De-Authorizing the Auteur: Postmodern Politics of Interpellation in Contemporary European Cinema.” In Postmodernism in the Cinema. Degli-Esposti, Cristina, ed. New York and Oxford: Berghahn Books, 1998. 113-130.

Maule, Rosanna. “Women’s Authorial Practices in European National Cinemas.” iris. 28, 1999, 123-138.

Medhurst, Andy. “That Special Thrill: Brief Encounter, Homosexuality and Authorship.” Screen. 32. 2, 1991, 197-208. 

Naremore, James. “Authorship and the Cultural Politics of Film Criticism.” Film Quarterly.  44.1, 1990, 14-23.

Naremore, James. “Authorship.” In  A Companion to Film Theory. Toby Miller and Robert Stam, eds. Malden, Blackwell, 1999, 9-24.

Nowell-Smith, Geoffrey. “I was a star*struck structuralist.” Screen. 14.3, 1973 92-99.

Polan, Dana. Jane Campion. Bloomington: Indiana University Press, 2002.

Tasker, Yvonne ed. Fifty Contemporary Filmmakers. London and New York: Routledge, 2002.

US Auteur Special. Sight and Sound. 10.3, 2000.

Wexman, Virginia Wright, ed. Film and Authorship. New Brunswick and London: Rutgers University Press, 2003.

Wyatt, Justin. High Concept: Movies and Marketing in Hollywood. Austin: University of Texas Press, 1994.